When I decided to take a leave of absence from my teaching position to attend two separate artist residencies, I was met with confusion by many who had never heard of such a thing, associating "residencies" with the medical profession , some mandated professional development or a grown up "art camp" of sorts. Thousands of these programs exist throughout the world offering artists from every discipline, including writers, performers, painters, sculptors and so forth, dedicated space, time and solace to focus on their own work, develop new skills or simply retreat and reflect from the familiar. The reasons for attending residential programs, which range from a single weekend to an entire year, are as varied as the artists themselves. The residency programs are extremely diverse as well, having their own missions and expectations for the artists. Some are simply to offer them respite to work and think without distraction.
I am currently 2 weeks shy
of completing my residency at the Rensing
Center . The spacious
studios, private living arrangements and breathtaking landscape are features
that make this program an obvious draw. Above all else, it is the quality of
the artistic community and the generosity and accessibility of the director,
Ellen Kochansky, that make the Rensing
Center exceptional. Ellen
is a renowned textile artist, educator, art advocate and workshop facilitator
offering more than 30 years of professional expertise to her residents to whom
she has literally welcomes into her home. She resides on the property and one
quickly becomes aware of the deep seated connection and regard that she has for
the environment and community, including and beyond the center itself. It is
not unusual to be invited to Ellen's private residence for an impromptu dinner
and conversation. This is truly a family affair and residents are quickly
embraced as extended members.
The Rensing
Center most recently welcomed artist
couple, Michelle and Richard Fritz of Kansas
City , MO . I think
the opportunity to connect with creative
individuals, like minded in their devotion to their craft, is perhaps one of
the most enriching aspects of the residential experience. Working in isolation
is natural and important to every artist but connection and collaboration with
other creatives from diverse geographic and cultural backgrounds is an
invaluable learning opportunity. On Tuesday evening, prior to the departure of
resident painter, Ryan Finnerty of Seattle ,
WA , Michelle and Richard hosted a
gathering complete with pot luck dinner and a visual show and tell by all of
the artists. This dynamic duo , in addition to their artistic accomplishments,
brought to the center their evident flair for inviting connection and throwing
a bash combining work and play.
This collaborative effort
was an opportunity to relax, celebrate and share ideas. Ellen Kochansky wowed
us with a succinct 7 image slide show that packed a punch aesthetically,
conceptually and "spiritually," demonstrating 30 years of professional
and personal evolution. Her concluding message invokes every artist to
seriously consider what she herself contemplates in her work and life,
"What do you most care about?" That is what will inevitably direct
your work and life decisions. With other valued guests from the community and
the exquisite Ms. Evelyn, artist and mother to Ellen, in attendance, we shared
our work and personal stories. Thanks to all for a memorable gathering and to
the Fritz's for organizing the event which is certain to become a Rensing
ritual.
Hostess for the evening/resident artist Michelle Fritz preparing dinner. |
The elegant and eloquent Ms. Evelyn, Pratt Graduate, NYC, mother of director Ellen Kochansky. She is sharp and lovely at a youthful 94 years of age! |
Resident artist and friends....dinner and show and tell. |
Shared studio of Michelle and Richard Fritz! They transformed this into an incredible working space. |
The beautiful works of Michelle Fritz! |
Richard Fritz , artist, builder, innovator extraordinaire in his reorganized studio space. |
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